Kim persuaded Young Chang to build a guitar manufacturing plant nearby. Tacoma Guitars began as a division of Young Chang America in Tacoma, Washington that, starting in 1991, processed Northwest hardwood for export for piano soundboards. Tacoma manufactured mainly acoustic guitars, although its product range extended to basses and mandolins. The Tacoma plant closed, and production ceased, in 2008. The company and brand name were later acquired by the Fender Musical Instruments Corporation. Instruments were manufactured in Tacoma, Washington. It was founded in 1991 as a division of South Korean company Young Chang. In fact, acoustically, it's one of the nicest-sounding guitars we've heard this year, which is why its price tag is all the more staggering.Tacoma Guitars was an American manufacturing company of musical instruments. The ESA10CE is an instrument of considerable quality, style and tone. With both Guild and Tacoma in the Fender family now, the accompanying resource of acoustic expertise has clearly benefited Fender acoustics. ![]() The tone control's 'scoop' is subtle yet effective on the thick tone. The result is a perfectly workable translation of the above, with much of the core character retained. Plugged in, we'd opt for the Ellipse VT's Natural II voicing due to the lively bottom end. However, it could be too dreadnought-like for some fans of this body style. This is an earthy, rich-toned acoustic that you can really get your teeth into for some exceptional rewards. It sounds emphatic when fingerpicked and meaty when strummed or flat-picked. Particularly resonant in the bass, you can really feel this one hum on certain low notes, while there's a good, hearty roar in the mid range, which helps to really chuck the notes out.Īgain, we hear the crisp, spicy and attacking treble you'd expect from a dreadnought, with thick and sweet-sounding high notes. With a powerful, robust and slightly biting sound, this Ensenada grand auditorium model actually sounds not unlike a dreadnought or a round-shouldered jumbo. There isn't a lot of saddle height to play with here, but as it stands, this guitar's consistent, encouraging action confirms a true, even playing surface and precise neck geometry.ĭespite the compensated saddle, upper fret intonation (generally flat at the 12th fret) isn't as harmonious as it should be. The fingerboard and frets are both buffed to a slippery-feeling lustre, while the fret ends are trimmed and filed. Considering the relatively narrow neck width, string spacing could be more generous. The guitar's familiar-feeling, slim C-pro? le neck shaft gently tapers in depth from just over 21mm (first fret) to 23mm (ninth fret). With its 'essentials' preamp almost invisibly magnetically mounted just inside the soundhole lip for fingertip control, it's a nifty upgrade on Fishman's Natural System concept. This model carries Fishman's Ellipse VT system as standard. ![]() ![]() The neck and body are finished separately, delivering clean heel/body corners, and whatever your opinion on polyester finishes, Fender's gloss coat is flawless and judiciously thin. It features some nice abalone-dotted ebony pins, too. While Fender's round-cornered bridge isn't to everyone's taste, it is immaculately finished, and its saddle is snug. Tuners are fine vintage-style fare, albeit a bit sticky and stiff. The headstock face boasts dense-grained Palo Escrito that's bevelled at the edges to reveal a maple stratum beneath it. Bar the odd tool mark, its fingerboard and frets are meticulously well prepared, with a very neat nut at the top. This one-piece genuine mahogany neck is bolted-on. One-ply maple purifing demarcates the perimeters of the back and sides, with thin Indian rosewood strips masking the back's centre seam and the sides' end joint. Back and sides are Palo Escrito - a native Mexican rosewood that's lighter brown than both Indian or Brazilian species, but with the latter's swirlier grain.
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